Yet Another Very Large Array Of Photos Of The Very Large Array, This Time At Sunset

And so after leaving the Las Cruces area, I drove the four hours back up to the San Agustin plains, and got there just in time to catch some sunset photos of the VLA. The cold opener above is an HDR I tried out and they aren't supposed to come out looking like that, but I really really like it.

I got some Plains life in just before the sun set. That deer above was headed straight away from me, so I shot him. And these cows, too.

There is nothing like standing out in a gigantic plain in the middle of nowhere with a tripod and some radio antennae at sunset.

That movie 'Contact' was filmed in part out here, and there is a scene where Jodi Foster is looking out over a canyon, with the radio dishes behind her. Yeah, that's Hollywood stupidity. There is no canyon; I looked. I hate that. Why do they always feel the need to amp up things that in reality need no amping up? If you want the VLA in your movie, film it as it is. It doesn't need a canyon to be awesome.

But HDR doesn't hurt! Actually, taking HDR shots at sunset is a tricky business. Weird colors kept popping in that aren't in any of the original bracketed photos. This next one is not HDR, but it almost looks like it is. I'm learning that not everything needs such embellishment, myself. And also how hard it is not to embellish, sometimes. Maybe I should go easier on Hollywood.

I really like this next one; there's two small line gaps in the dish where the setting sun shines through them, and echoes the reflective train tracks quite nicely. I like the continuity of theme in that; the radio signals from space track down into the dish, and get carried along the train tracks back to the receivers that interpret them.

Ok that's probably not how the signals actually get sent to the receivers, damn you Hollywood! You've corrupted the way I interpret things with your need to visualize everything dramatically! But still. Pretty.

And yes, I really like tonemapping. Sometimes the accidental byproducts are neat, such as green radio dishes. At any rate, remember when I said that there is nothing like standing out in a gigantic plain in the middle of nowhere with a tripod and some radio antennae at sunset? Well, that's nothing compared to doing it at night.

Unfortunately, the moon was really bright that night, and I had to work hard to get any stars in the photos at all.

Damn moon. At one point I tried taking a ten minute exposure, but that didn't really bring out any more stars either. Still.

You'll notice the dish is pointing at a different angles in different photos. They moved them to point at different parts of the sky every so often. I tried to get a shot that captured the motion in an interesting way, but it kept catching me by surprise. This is the best I could do.

At one point, a couple of guys with a mexican accent drove out to where I was in a dirty pick-up and told me I had to leave because the astronomers don't like it when people hang out by the dishes at night. Hope I didn't mess up any of their work! But still, I couldn't leave without at least attempting a laser light self-portrait.

Comments

[Ms. Luongo]

Those first three night shots remind me of some sort of Wall-E idea...the lone dish, searching one direction, searching another, then dejected, gives up.

[messiestobjects]

Never give up! Never surrender!

Different movie, I know. But there aren't many quotes from Wall-E.